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BURT REYNOLDS & Loni Anderson - Rare ORIGINAL Paparazzi Transparencys

$ 6.83

Availability: 100 in stock
  • Object Type: Photograph
  • Industry: Television
  • Style: Color
  • All returns accepted: ReturnsNotAccepted
  • Original/Reproduction: Original
  • Size: 35mm

    Description

    BURT REYNOLDS and LONI ANDERSON -
    5 ORIGINAL 35mm COLOR TRANSPARENCYS.
    RARE CANDID PAPARAZZI IMAGES @ HOLLYWOOD EVENTS
    MOUNTED, EXCELLENT CONDITION & VERY SHARP
    ---------------------------------------------------------------------------------------------------------------
    Enduring, strong-featured, and genial star of US cinema, Burt Reynolds started off in T.V. westerns in the 1960s and then carved his name into 1970s/1980s popular culture, as a sex symbol (posing nearly naked for "Cosmopolitan" magazine), and on-screen as both a rugged action figure and then as a wisecracking, Southern type of "good ol' boy."
    Burton Leon Reynolds was born in Lansing, Michigan. He was the son of Fern (Miller) and Burton Milo Reynolds, who was in the army. After World War II, his family moved to Riviera Beach, Florida, where his father was chief of police, and where Burt excelled as an athlete and played with Florida State University. He became an All Star Southern Conference halfback (and was earmarked by the Baltimore Colts) before a knee injury and a car accident ended his football career. Midway through college he dropped out and headed to New York with aspirations of becoming an actor. There he worked in restaurants and clubs while pulling the odd TV spot or theatre role.
    He was spotted in a New York City production of "Mister Roberts," signed to a TV contract, and eventually had recurring roles in such shows as
    Gunsmoke
    (1955),
    Riverboat
    (1959) and his own series,
    Hawk
    (1966).
    Reynolds continued to appear in undemanding western roles, often playing a character of half Native American descent, in films such as
    Navajo Joe
    (1966),
    100 Rifles
    (1969) and
    Sam Whiskey
    (1969). However, it was his tough-guy performance as macho Lewis Medlock in the
    John Boorman
    backwoods nightmare
    Deliverance
    (1972) that really stamped him as a bona-fide star. Reynolds' popularity continued to soar with his appearance as a no-nonsense private investigator in
    Shamus
    (1973) and in the
    Woody Allen
    comedy
    Everything You Always Wanted to Know About Sex * But Were Afraid to Ask
    (1972). Building further on his image as a Southern boy who outsmarts the local lawmen, Reynolds packed fans into theaters to see him in
    White Lightning
    (1973),
    The Longest Yard
    (1974),
    W.W. and the Dixie Dancekings
    (1975) and
    Gator
    (1976).
    At this time, ex-stuntman and longtime Reynolds buddy
    Hal Needham
    came to him with a "road film" script. It turned out to be the incredibly popular
    Smokey and the Bandit
    (1977) with
    Sally Field
    and
    Jerry Reed
    , which took in over 0 million at the box office. That film's success was followed by
    Smokey and the Bandit II
    (1980) and
    Smokey and the Bandit Part 3
    (1983). Reynolds also appeared alongside
    Kris Kristofferson
    in the hit football film
    Semi-Tough
    (1977), with friend
    Dom DeLuise
    in the black comedy
    The End
    (1978) (which Reynolds directed), in the stunt-laden buddy film
    Hooper
    (1978) and then in the self-indulgent, star-packed road race flick
    The Cannonball Run
    (1981).
    The early 1980s started off well with a strong performance in the violent police film
    Sharky's Machine
    (1981), which he also directed, and he starred with
    Dolly Parton
    in
    The Best Little Whorehouse in Texas
    (1982) and with fellow macho superstar
    Clint Eastwood
    in the coolly received
    City Heat
    (1984). However, other projects such as
    Stroker Ace
    (1983),
    Stick
    (1985) and
    Paternity
    (1981) failed to catch fire with fans and Reynolds quickly found himself falling out of popularity with movie audiences. In the late 1980s he appeared in only a handful of films, mostly below average, before television came to the rescue and he shone again in two very popular TV shows,
    B.L. Stryker
    (1989) and
    Evening Shade
    (1990), for which he won an Emmy. In 1988, Burt and his then-wife, actress
    Loni Anderson
    , had a son,
    Quinton A. Reynolds
    (aka Quinton Anderson Reynolds), whom they adopted.
    He was back on screen, but still the roles weren't grabbing the public's attention, until his terrific performance as a drunken politician in the otherwise woeful
    Striptease
    (1996) and then another tremendous showing as a charming, porn director in
    Boogie Nights
    (1997), which scored him a Best Supporting Actor nomination. Like the phoenix from the ashes, Reynolds resurrected his popularity and, in the process, gathered a new generation of young fans, many of whom had been unfamiliar with his 1970s film roles. He then put in entertaining work in
    Pups
    (1999),
    Mystery, Alaska
    (1999),
    Driven
    (2001) and
    Time of the Wolf
    (2002). Definitely one of Hollywood's most resilient stars, Reynolds continually surprised all with his ability to weather both personal and career hurdles and his almost 60 years in front of the cameras were testament to his staying ability, his acting talent and his appeal to film audiences.
    Burt Reynolds died of cardiac arrest on September 6, 2018, in Jupiter, Florida, U.S. He was eighty two.